Fabolous - Ready (feat. Chris Brown) [iTunes Plus AAC M4V]

Sean Kingston - Beat It (feat. Chris Brown & Wiz Khalifa) - Single [iTunes Plus AAC M4A]

Genres: Pop, Music
Released: 15 April 2013

Chris Brown - Fine China [iTunes Plus AAC M4V]

Tank - Shots Fired (feat. Chris Brown) - Single [iTunes Plus AAC M4A]

Genres: Hip-Hop/Rap, Music
Released: Apr 16, 2013

Tyga - For the Road (feat. Chris Brown) - Single [iTunes Plus AAC M4A]

Genres: Hip-Hop/Rap, Music
Released: Apr 03, 2013

Chris Brown - Fine China - Single [iTunes Plus AAC M4A]

Genres: R&B/Soul, Music
Released: Apr 02, 2013

Chris Brown - Fortune (Deluxe Version) (Album + LP) [iTunes Plus AAC M4A]

Genres: R&B/Soul, Music
Released: Jun 29, 2012

This album is Mastered for iTunes. Vocalist and celebrity Chris Brown follows 2011's F.A.M.E. with Fortune. He brings a refocused dance-floor finesse to this album, adding techno-inspired intensity to songs like "Turn Up the Music" and "Don't Wake Me Up," as well as a serious dubstep heaviness to tracks like "Bassline." This direction works well for Brown, as he's got the right melismatic tone to float above these DJ-friendly cuts. The R&B swagger of his earlier records comes through on the hip-hop–inflected "Till I Die" and the slinky "2012."

Chris Brown - Deuces (Remix) [feat. Drake, Kanye West & André 3000] - Single [iTunes Plus AAC M4A]

Genres: R&B/Soul, Music
Released: Oct 11, 2010

Chris Brown - F.A.M.E. (Deluxe Version) (Album) [iTunes Plus AAC M4A]

Genres: R&B/Soul, Music, Dance, Contemporary R&B
Released: Apr 04, 2011

Chris Brown's career was trending sharply downward. The singer’s self-titled debut went double platinum. Exclusive went single platinum. 2009’s Graffiti fell well short of gold-sales status, though it was nominated for a Grammy in the category of Best Contemporary R&B Album: far and away the worst disc to receive the honor. Rather than vanish and position himself for a spectacle-like comeback, Brown wisely continued to release new music through 2010. The offhandedly belligerent “Deuces” hit that summer and topped the R&B/Hip-Hop chart, while Brown also appeared on numerous singles headlined by others, including Twista’s Top Ten “Make a Movie.” By the time F.A.M.E. was released in March 2011, the album’s variety of styles was already known. A total of five songs, including the slinking pop-R&B of “Deuces,” had hit various singles charts. The bleepy rap track “Look at Me Now,” where Brown displays some competence as an MC but is devoured by Lil Wayne and Busta Rhymes' rapid-fire verses, was one of them. The celebratory “Yeah 3x” and the anthemic “Beautiful People,” a pair of club singles, nodded to Eurodance. And then there was the smoothly percussive “No BS,” a slow jam with chivalrous sweet nothings like “I’m-a leave it in when we do it” and “Don’t you be on that b******t.” Despite the success of some of these pre-album singles, they don’t represent the best of F.A.M.E. On the earnest ballad “Up to You,” the Michael Jackson/SWV-sampling “She Ain’t You,” and the remorseful “All Back” (written and produced by Timothy Bloom, one to watch), Brown plays to his strength as a boyish, romantic pop-R&B singer, while “Say It with Me” shows that he can handle harder grooves that are more R&B than pop. This all makes F.A.M.E. the equal of Forever, if not slightly better, and it hints that Brown’s best is yet to come.

Chris Brown - Graffiti (Expanded Version) (Album) [iTunes Plus AAC M4A]

Genres: R&B/Soul, Music, Contemporary R&B
Released: Dec 08, 2009

Chris Brown started work on Graffiti in 2008, but the album’s course changed — along with everything else in his life — in February 2009, when Brown’s physical attack on Rihanna ignited a media firestorm that threatened to derail his career. The excellent “I Can Transform Ya,” “What I Do” and “Wait” exemplify Brown’s talent for futuristic, club-oriented R&B, and show what the album would have looked like had the Rihanna incident never happened. Regardless, the most crucial songs on Graffiti are those that address the assault. In “Crawl,” “So Cold,” “Famous Girl” and “Fallin’ Down” Brown speaks directly to Rihanna, and to his credit, he manages to express anguish, regret, and affection in a way that he hadn’t been able to in interviews. The closing song, “Gotta Be Ur Man,” is overbearing and desperate, and Graffiti is better ended with “I’ll Go,” which strikes the proper tone of acceptance and love: “If I don't come back, girl your love was worth it, that's the one thing I know / And if I don't make it back, girl remember that I said I'd go.”

Chris Brown - Exclusive (The Forever Edition) (Album) [iTunes Plus AAC M4A]

Genres: R&B/Soul, Music, Hip-Hop/Rap, Contemporary R&B
Released: Nov 01, 2007

The instant number one hit "Run It!" proved to be no fluke. Two other songs from Chris Brown's debut album were moderate to major hits, enabling the entertainer to become a popular music star with platinum sales, not just a brief crush for thousands upon thousands of tween-aged females. Brown's second act, released almost exactly two years after his first, takes a "don't fix it if it ain't broke" approach, offsetting the innocent and age-appropriate material with a handful of songs that are squarely placed within lil' Lothario territory. When he works with Johnta Austin and Stargate, out comes young courtship fodder that is boyish enough to be reinterpreted by squeaky clean American Idol contestant David Archuleta ("You're my sweetheart and I'm so glad that you're mine"); switch the collaborators to Jazze Pha and Lil Wayne, and you get come-ons like "You like 28s on a Hummer/'Cause you the number one stunner" and "That's it, babygirl/Put it on my zipper." The two modes have had a popularity-maximizing effect, to say the very least. Falling into the relatively edgy category, the T-Pain collaboration and lead single "Kiss Kiss" duplicated the chart success of "Run It!," and perhaps only someone as likable and harmless as Brown could get away with "And I get a little mannish, and you see the bandanna hangin'/That means I'm like a bandit." You've got to credit Brown and his songwriters and producers for cranking out another handful of easy to remember hits that cover the bases, from upbeat and carefree numbers to go-to mixtape ballads that push all the right target-demographic buttons.

Chris Brown - Chris Brown (Album) [iTunes Plus AAC M4A]

Genres: R&B/Soul, Music, Pop, Contemporary R&B
Released: 08 May 2006

The week "Run It!" was released, it went straight to the top of the Billboard Hot 100 and became the first single from a male artist to debut at that spot. That's no slight feat, especially for a reheated version of Usher's "Yeah!" made by a fresh-faced teenager who reps a little town in Virginia that rhymes with "grab a hammock." On "Run It!," Chris Brown is boosted by production from Scott Storch and an appearance by Juelz Santana. The song's way of tempering Brown's small-town innocence with hard-edged backing and a guest spot from an MC of ill repute is clearly a strategy to make the singer appeal to more than tween girls. (Had Brown been coming up in the early '90s, Quincy Jones — not Dr. Dre — might've produced him and Prince — not Luther Campbell — might've assisted, which just goes to show how much R&B has changed in 15 years.) Chris Brown, a durable debut album, almost always involves an even push-and-pull between what appeals to kids who don't consider street credibility and those who do, all the way down to the visuals: check the album cover, featuring the singer's strained "Don't mess with me!" face, and compare it to the photo spread inside, featuring Brown's natural "Pinch my cheeks!" face. He doesn't often try to sound harder or more demonstrative than necessary, unlike a lot of singers his age who have sprouted during the late '90s and early 2000s, and he rarely oversteps the kind of romantic territory that most teens find relatable. Toughness comes instead from the beats, whether they're provided by the Underdogs, Dre & Vidal, Cool & Dre, or the overworked Storch. While Brown's audience will be almost exclusively 18 and under, few of his fans will feel sheepish in owning this album. He's a refreshing presence, a high-schooler who's neither as family friendly as Will Smith nor as comically vulgar as Pretty Ricky.

Afrojack - As Your Friend (feat. Chris Brown) - Single [iTunes Plus AAC M4A]

Genres: Dance, Music
Released: Mar 14, 2013